That, of course, is not what Jack White would have us believe. As has been well-documented, White has an impish habit of bending the truth, this probably inspired by the P. Barnum huckster inside of him. With Jools Holland flanked by a bunch of dudes, billed as Los Buzzardos, might suggest that the men do in fact exist. Because, really, what guys could handle the mission-impossible task of having to top the brilliance of what Vancouver was lucky enough to witness on Sunday?
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Riding high on the success of his recent solo debut Blunderbuss , Jack White stormed the Wiltern Theatre in Los Angeles, finishing a trio of shows with effortless authority. During this first solo tour White has been utilizing two different backing bands, one an all-male band called Los Buzzardos, the other an all-female band called The Peacocks. Reportedly, not even the bands know which of them is playing at any given gig until that day. Tonight, it was The Peacocks turn, and they pack a wallop. This was one of the few straight-up rock shows in recent memory in Los Angeles where there was a palpable excitement in the air. The show completely sold out, the audience went berserk the moment the band and Jack took the stage. Each chord he hammers out, each verse he sings has a determined sense of purpose. A slower number such as this somehow feels oddly more climactic. The claws really came out on the next song. Splashing her kit with her left hand sideways like a veteran jazz cat, her thunder brought White to her, numerous times so engaged that he knocked over her crash cymbals.
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Last summer, Jack White bought a house in Kalamazoo, Michigan, that he had seen only in photographs. He was drawn to its past. The house was designed by George Nelson, a figure in American modernism, who mostly designed furniture. He used to drive around the city looking for thrown-out furniture, and sometimes he found Nelson sofas and chairs and restored them.
White knows his way around all sorts of twangy American roots music. But the sometime downfall of roots-oriented music is that styles turn into constraints; musicians aim for correctness and end up predictable. That, to put it mildly, is not Mr. His songs show their roots, but blast off to wherever he chooses. The all-male Buzzards backed him at Radio City on Saturday night, in a show he suddenly cut short ; he has made no statement about why. On Sunday, the concert I heard, the all-female Peacocks were the band, and Mr.