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If you're a man of a certain age—over 35—there's a better than average chance that Phoebe Cates was a seminal part of your sexual awakening—pun fully intended. The brunette beauty turns 55 today, which is mind-blowing in and of itself, but even more earth-shattering is the fact that she has fewer than 20 credited films to her name. That's right, Phoebe more or less hung it up in the early 90s, appearing on screen once since —in 's The Anniversary Party. She left behind a legacy that ensures she'll be immortalized, though, and her nude scenes all happened early in her career when she was in her prime. Of course we all know her amazing red bikini scene from Fast Times set to "Moving in Stereo" by The Cars, but she also went briefly nude by flashing her ass during the climax of Private School! Most interestingly, however, was her role in Paradise, a Blue Lagoon rip-off where she played Brooke Shields to Willie Aames' Christopher Atkins, and one went step farther than Brooke by going fully nude in the film.
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Fast Times at Ridgemont High (1982)
Fast Times at Ridgemont High star Phoebe Cates showing us her amazing ass and breasts while standing underneath a waterfall in fully nude splendor. Good quality capture from the Paradise DVD. Phoebe Cates seen naked from behind as she washes herself in a pool of water.
She rises from the depths like the Venus of the San Fernando Valley—slicked hair glistening, water dripping from her smiling lipps, dark eyes glittering with libidinal mischief. Then—in a scene that will forever grant an otherwise incomprehensible erotic aura to the Cars—the new-wave chestnut "Moving in Stereo" kicks in as Phoebe Cates begins her slo-mo poolside strut. And boy, do they move in stereo, those pert, secondary sexual characteristics of teenage Phoebe Cates, as—in one breathtaking gesture—she frees her frisky buds from their front-fastening red bikini top to quiver in the balletic perfection of Judge Reinhold's furtive spank dream. The boob shot would soon become stock-in-trade of the Porky's epoch, but it would never be used to such weighty narrative effect. Here, hooters star in a compressed version of the male adolescent's tragic arc: from the soaring heights of erotic fantasia to the bleak depths of sexual humiliation, as the sleek naiad of Reinhold's imaginings actually walks in on him log-flogging to her image. The cable arts channel Bravo included this scene in its Sexiest Moments in Film —in which the model-pundit Roshumba Williams helpfully explained, "In the male world, boobs are huge. I'd heard it was scary, so I went.